Three prostitutes live in the wasteland by the sea, where a village of outcasts has emerged. It is life in a harsh reality of poverty, ignorance, and violence. And the only ray of light in their lives is Arturo, whom they care for together. The young man is a weak-minded child in an adult body. His mother died in childbirth, and the women took him into their care as a newborn. What will the fate of this young man be in an environment he has not chosen and cannot choose because of his disability?

A couple in crisis after the birth of their first son rekindles their love during a trip to Norway.

The lawyer Pio has the personality of an earthworm. The priest assigns him, as a driver, the rather prejudiced Amedeo, rough manners and unlikely clothes. The second will wake up the first.

Just out of jail, rumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.

The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.

As the son of two inmates Hyacinth was always more at home in prison than in the outside world, until he took part in a foot race that promised to change his life.

Two months before his death, the central figure of "The Guildford Four" Gerry Conlon meets Lorenzo Moscia to recount his remarkable life, from falsely imprisoned to world-famous human rights activist.

Veronica, after a long trial and two years in prison for the alleged murder of her mother and her lover, is found innocent. She is only twenty years old, but it is difficult to look ahead...

The troubled relationship between Gianni and Nino, set in the narrow-minded and prejudicial Sicily of 1982.

9 January 2022, Olympic Stadium of Rome. Within the first thirty minutes of the game, Federico Chiesa collapsed on the ground, screaming in pain: he had ruptured the cruciate ligament in his left knee. It was the beginning of a ten-month ordeal, during which Federico had to rediscover himself, both professionally and personally. On his side will be his family, teammates and the Juventus staff.

Enea chases after the myth he bears in his name; he does so to feel alive in a dead and decadent age. He does so together with Valentino, a newly baptized aviator. The two, in addition to dealing and partying, share youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of rules, on the other side of morality, there is a sea full of humanity and symbols to be discovered. Enea and Valentino will fly over it to the furthest extremes. However, drugs and the underworld are the invisible shadow of a story about something else: a melancholy father, a brother fighting at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a glass world.

Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.

A clash between fishermen and poachers is surging on the Po river Delta. A local group of volunteers lead by Osso wants to save the river from overfishing and defend it from the Florians, a family on the run from the Danube region. They have with them Elia, who once was part of the local community and now is on the opposite side of the conflict. Overtaken by blind violence and thirst for vengeance, Elia and Osso will confront each other in the Delta fogs, discovering their real nature in a fight that has no heroes.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Through salsa and merengue dance nights, shared memories, and limited earnings working for a local drug dealer, Julio Cesar and his mother struggle to maintain their love-filled but oppressive lifestyle. The arrival of Ines, an attractive young Colombian drug mule, threatens to unsettle their tenuous stability.

Tangled up with blackmail and crooked cops, the son of a former gangster seeks out his father's old friends, who risk everything to save him.

Rosa is a young rebel girl who lives with her grandmother and her uncle in a remote part of Calabria, in Southernmost Italy. Her mother's untimely death when Rosa was a child casts a gloomy shadow on her present life.

Time jump to 1939 with teenager Max and his friends as they try to navigate Mussolini's Rome and find Max's missing brother.

Heartbroken that their children no longer want to spend time with them, two parents fake an inheritance to bring the family together for Christmas.

On a winter’s day, Nena gathers her family to celebrate her birthday. Il paradiso del pavone is a small journey into the intimacy and authenticity of human beings: a film about an extended family in which everyone talks but no one really listens. Until an unexpected event forces the family members to look into each other’s eyes and reveal themselves for what they really are.

The teenage son of two fathers makes a documentary film about his parents but is surprised when a real-life plot twist occurs in his family.

Determined to rob a goldsmith, three young robbers break into his country house. The man and his wife turn out to be less defenseless than they seem.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.